I already do that by developing the moments ofs lust and desire out of the stories themselves.ĮVOLVER: Your international breakthrough in the 70s was in a way connected to the porn-boom.īrass: The success of "Deep Throat" in mainstream cinemas inevitably openend new opportunities. Neither have I considered it particularly important to distance myself from pornographers. Otherwise, I'll keep making movies as long as I live.ĮVOLVER: What is your relationship to pornography?īrass: I don't really have one. Do you ever think of quitting?īrass: Let me put it this way: The intervals between my films are getting somewhat longer.
#Mon amour tinto brass izle movie
Of course, I do not consider it detached from the rest.ĮVOLVER: You've been in the movie business for half a century. Even if it can't speak - a round behind speaks to me. īrass: There is certainly some truth to that. A butt is definitely more honest than that.ĮVOLVER: You are frequently called an ass festishist. A face can be painted over with make-up, conceal its age or impurities a mouth can spew cruel lies. īrass: That's probably the most widespread sentence that I supposedly said.ĮVOLVER: But you agree with the statement?īrass: If you don't take it too seriously, yes. ĮVOLVER: A face can lie, a derriére cannot. To elaborate, read part one of our EVOLVER portrait.īut for now, we shall fall silent while Signori Manfredo, Tomaso and Brass converse. But that label doesn't do justice to Brass' œuvre- he offers more than naked flesh can show. Many consider him a sexist and dismiss his films as pure pornography.
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On March 26, the Italian director of erotica, Tinto Brass, celebrated his 75th birthday.
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He explored the valley of the dolls and let the Roman Empire burn in "Caligula" - EVOLVER had a chat with the Italian filmmaker on the occasion of his 75th birthday. In English_Interview Tinto Brass "First, I check out the butt"